犯罪心理 第三季

Season 3 Episode 2 In Name and Blood

Hotchner: George Washington said, “Let your heart feel for the affliction and distress of everyone.”

Season 3 Episode 3 Scared to Death

Hotchner: The Taoist philosopher Lao-tze once wrote, “He who controls others may be powerful, but he who has mastered himself is mightier still.”

Hotchner: Eleanor Roosevelt once said, “You gain strength, courage and confidence by every experience in which you really stop to look fear in the face; You must do the thing you think you cannot do.”

Season 3 Episode 4 Children of the Dark

Prentiss: “In the city, crime is taken as emblematic of class and race. In the suburbs, though, it’s intimate and psychological – resistant to generalization, a mystery of the individual soul.” Barbara Ehrenreich.

Season 3 Episode 5 Seven Seconds

Hotchner: Dostoyevsky once said, “Nothing is easier than denouncing the evildoer. Nothing more difficult than understanding him.”

Hotchner: G.K. Chesterton wrote: “Fairy tales do not tell children that dragons exist. Children already know that dragons exist. Fairy tales tell children that dragons can be killed.”

Season 3 Episode 6 About Face

Hotchner: “Now what else is the whole life of mortals but a sort of comedy, in which the various actors, disguised by various costumes and masks, walk on and play each one his part, until the manager waves them off the stage?” Erasmus.

Season 3 Episode 7 Identity

Rossi: “An earthly kingdom cannot exist without inequality of persons. Some must be free, some serfs, some rulers, some subjects.” Martin Luther.

Season 3 Episode 8 Lucky

Morgan: “Fantasy abandoned by reason produces impossible monsters.” Francisco Goya.

Morgan: “God sends meat and the devil sends cooks.” Thomas Deloney

Season 3 Episode 9 Penelope

Garcia: William Shakespeare wrote, “Love all, trust a few, do wrong to none.”

Season 3 Episode 10 True Night

Reid: “Superman is, after all, an alien life form. He is simply the acceptable face of invading realities.” Author Clive Barker.

Garcia: The noir hero is a knight in blood caked armor. He’s dirty and he does his best to deny the fact that he’s a hero the whole time. (Frank Miller)

Season 3 Episode 11 Birthright

Hotch: The American poet Anne Sexton once wrote, “It doesn’t matter who my father was; it matters who I remember he was.”

JJ: Wordsworth wrote, “A simple child/ That lightly draws its breath/ And feels its life in every limb/ What should it know of death?”

Season 3 Episode 12 3rd Life

Hotch: “No man or woman who tries to pursue an ideal in his or her own way is without enemies.” Daisy Bates.

Hotch: “It is a wise father that knows his own child.” William Shakespeare.

Season 3 Episode 13 Limelight

Rossi: “I know indeed what evil I intend to do, but stronger than all my afterthoughts is my fury, fury that brings upon mortals the greatest evils.” Euripides.

Rossi: “For we pay a price for everything we get or take in this world; and although ambitions are well worth having, they are not to be cheaply won.” Lucy Maud Montgomery.

Season 3 Episode 14 Damaged

Rossi: “…Within the core of each of us is the child we once were. This child constitutes the foundation of what we have become, who we are, and what we will be.” Neuroscientist Dr. R. Joseph.

Hotchner: “There is no formula for success, except perhaps an unconditional acceptance of life and what it brings.” Arthur Rubinstein.

Season 3 Episode 15 A Higher Power

Rossi: “There is no refuge from confession but suicide; and suicide is confession.” – Daniel Webster.

Prentiss: “The most authentic thing about us is our capacity to create, to overcome, to endure, to transform, to love, and to be greater than our suffering.” – Ben Okri.

Season 3 Episode 16 Elephant’s Memory

Reid: “A sad soul can kill you quicker, far quicker, than a germ.” John Steinbeck.

Reid: “We cross our bridges when we come to them and burn them behind us, with nothing to show for our progress except a memory of the smell of smoke, and a presumption that once our eyes watered.” – Tom Stoppard.

Season 3 Episode 17 In Heat

JJ: “There are no secrets better kept than the secrets that everybody guesses.” – George Bernard Shaw.

JJ: “If we knew each other’s secrets, what comforts we should find.” – John Churton Collins.

Season 3 Episode 18 The Crossing

Prentiss: Author Christian Nestell Bovee once wrote, “No man is happy without a delusion of some kind. Delusions are as necessary to our happiness as realities.”

JJ: Susan B. Anthony said, “A woman must not depend on the protection of man, but must be taught to protect herself.”

Season 3 Episode 19 Tabula Rasa

Hotch: “All changes, even the most longed for, have their melancholy; for what we leave behind us is a part of ourselves; we must die to one life before we can enter another.” – Anatole France.

Season 3 Episode 20 Lo-Fi

Hotch: Voltaire said, “The man visited by ecstasies and visions, who takes dreams for realities, is an enthusiast. The man who supports his madness with murder is a fanatic.”

开始第三季，就被它少有的情感披露所吸引。当我们从第二季末尾知道了行为分析小组的命运有些要懂得时候是否会有这样的担心：还会有几季？而第三季开端前两集都在案件的外围回答这个问题！很高兴的是，我们行为分析小组的成员回来了！但是我们的老大哥Gideon走了，就像第二季的ELLE那样，匆匆的仅在前两集中就离开了这个大家庭。



这一季在繁重的学习任务的重压下还是坚持在空间时间中看完了。CM真是越来越好看了，这一季比起前两季还要出色，在案件的选取上加上了许许多多人性的亮点。而队员的感情戏份越来越多，JJ怀孕，G在威胁之下地淡定，M地爆炸案中人性的升华斗士不可忽略地亮点。


最后一集也真算是揪心！谁的SUV爆炸了，看来只有在第四季才能揭晓了！

GJM一下八百年前的广告词：Criminal Minds，讲述BAU小组自己的故事。
呃，这个描述不大确切，CM描述的其实是BAU小组抓捕变态杀手的故事，由此就引发了一个问题：BAU小组又是个什么东东？
答案：BAU小组是（专门分析变态们的）FBI的（变态）探员们的集合。
讲述FBI的电视剧每年都有千千万，在Google里搜FBI仨字，出来的花边+八卦估计比正经八百的新闻都多。其实FBI给我唯一的印象是它官网上长年招外勤探员，难道这殉职率已经破表了，否则以FBI这曝光率，没道理长年招人还招不满啊。要知道自从NCIS播了之后，官网上立马停招Special Agent了，而且还规劝大家：我们其他部门的职位也很有趣啊不要看到Anthony DiNozzo四处放电就觉得这工作很帅别忘了他还没事就被Gibbs巴后脑勺巴着玩呢不是（并没有！）。这个事实很形象地说明了Special Agent是一个所有中二病的姑娘小伙子们梦寐以求的既拉风又有社会地位的工作，挣得多不多不知道，但既然他们空闲时间都多到可以出书了，那寄希望于治安稳定，没事干干三产也不是不可能的事。
现在FBI的most wanted，除了本拉登这种八辈子也抓不到的之外，就是WX儿童的变态老头。由此可见，变态对于我们生活的危害，不亚于一小撮恐怖分子。因为恐怖分子只有一小撮，变态却无处不在。相信大多数姐妹们甚至一小撮兄弟在自己惨淡的人生中，多少都遇到过黑风衣黑墨镜却不穿内裤的遛鸟侠，或者在公车上没完没了往人身上贴的橡皮糖男，或者干脆什么都不干就死死盯着你的看上去没啥危害其实更慎得慌的BT男。生活中充满了这些内向的变态，虽然可怕，但默默无闻。真正恐怖的是外向的变态，我记得谁说过，每个凶杀案都有动机，但外向的变态杀人偏偏是没有动机的，或者说，他们的动机不是世俗的动机，他们的动机来自自己的内心，自己的过去，通常来自自己的童年经历。
BAU就是专门搞定这些变态的变态们。Behavioural Analysis Unit，FBI行为分析部，之所以说他们也是变态，是因为他们拥有者正常人类所无法企及的超粗神经。他们每天看着人类内心最阴暗的一面带来的悲剧和恶果，像变态杀手一样思考，但却始终保持着自己的理智，某种意义上说这确实是另一个极端的变态。对电视机前的观众来讲，那些尸体只是硅胶模型，那些案件只是睡前故事，那些变态杀手在导演一声“咔”之后就会变成平易近人的好孩子。即使这样，在看到杀手扮着一张笑脸朝倒霉的受害者路人甲挥动球棒时，他们仍然会觉得心惊胆战。但是对于BAU的童鞋们来说，尸体就是死人，案件就是饭碗，变态杀手什么也不是，就是变态杀手。当他们面对一个十步杀一人千里不留行事了拂身去自挂东南枝（呃……）的变态的时候，是会故作镇定？还是若无其事？还是在心底骂娘？
弗洛伊德的理论是这样，每个变态的背后，都有一个悲惨的童年。就好像柯南小同学那千篇一律的杀人动机，无非就是你十年前为了块糖打了我一巴掌我现在杀人只是行使正义之类的事。人类就是这样一种悲哀的生物，小时候发誓一辈子都不做某种人的人，最后往往不可避免地成为自己曾深恶痛绝的那种人，而且还乐此不疲。贝多芬从小憎恨他那暴躁的爹，可是最后他变得比他爹还暴躁。是的，我们的选择决定了我们的为人，但是总有什么东西在冥冥之中左右我们的选择。萨特说那是“他者”，弗洛伊德说那是力必多，荣格说那是集体无意识，但不管那是什么，都不受我们的理智控制。
没错，可怜之人必有可恨之处，杀人总是需要理由的。人类行为中不存在纯粹的随机事件，即使无差别变态杀人狂在挑选受害者时仍然有自己的标准，尽管有时候连当事人都没有察觉。可是问题是，谁的童年不悲惨了？谁小时候没挨过爹娘巴掌？谁小时候没被人抢过糖吃？谁没被关过小黑屋？哪个没被骂过“你个倒霉孩子真是现世报”？按照西方人的标准，放在20年前，中国的孩子们估计一大半都在被虐待着，难道我们的神经就出奇地强韧？
变态并不可怕，可怕的是破坏社会秩序的变态。人们担心的并不是变态，而是破坏社会秩序。这从另一个侧面证明了人间的冷漠。没错，大家都是被吓大的，凭嘛就你变态？变态的人要从自身找原因，不要怨天尤人。倒霉孩子千千万，大多数都变了社会精英，就你变态了，你还有理了？
所以Criminal Minds这剧，我两年前追过，却不管怎样也看不下去。那时候还是Gidion挑大梁，不知为啥我就是对这纠结的大叔提不起兴趣，大叔对我来讲，要么是坏心的，要么是毒舌的，我就是没法喜欢纠结的。可是前阵没剧看，大家又说CM真是看过的最好的罪案剧简直欲罢不能，于是我又从第四季开始看，Gidion走了，我反倒看下去了。沉稳的Rossi大叔弥补了没有好叔的遗憾，Hotch也是个好叔，但是太面无表情的暗涌了，我对面瘫型的最近有点审美疲劳。Reid很萌但没戳中我的萌点，JJ倒是个美女。总之虽然我仍然是一边快进一边看的，变态杀手也没给我啥触动，但是我突然发现，这剧也是值得一看的。
当然，有两种人不适合这剧，一种就是我这样的，心如磐石+本来就对人性很绝望的，看完基本上除了“人不就是这个德行吗”以外没任何感觉；另一种就是我的反面，热情洋溢对人类充满希望外加看电视剧超级容易代入的，说白点就是一看韩剧就开闸放水那些姑娘们，看这个剧还进入剧情的话，大概人生观都会变灰暗。一个电视剧而已，不要搞到自己心情惨淡，阳光向上的人还是要阳光向上，有光就有影，影子还是让他呆在暗处静静地在沉默中变态好了。