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更新时间：2023-07-24 02:36
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强尼（帕迪·康斯戴恩 Paddy Considine 饰）和莎拉（萨曼莎·莫顿 Samantha Morton 饰）满怀着对未来生活的憧憬与希望，带着两个女儿来到了传说中机会遍地的大都市纽约，然而，现实生活无疑是一盆冷水当头浇在了夫妻二人的头上。由于经济拮据，一家人只能蜗居在一幢偏僻破旧的公寓内，微薄的工资在扣除了必要的生活开支后几乎所剩无几。贫穷的生活并不能打垮意志，真正让他们崩溃的是儿子去世带来的痛苦。爱情变成了一件奢侈的事情，无休止的悲伤和埋怨逐渐瓦解了他们曾经真挚的感情。 隔壁住着的奇怪画家马提奥（杰曼·翰苏 Djimon Hounsou 饰）让强尼和莎拉心生警觉，可女儿们却并不这么想，她们喜欢这个和蔼又有个性的艺术家。此时的强尼一家人并不知道，马提奥将成为他们改变命运的最大契机。
长篇影评
1 ) 走来走去，我们都走在梦想里
城市几起几落，没有战争也没有奇迹，你行走在其中，会不会忘记还有期待和梦想。
“爱尔兰移民约翰尼和莎拉带着他们的两个女儿，满怀希望地来到美国。当行走在充满着各种奇怪新鲜声音的纽约曼哈顿大街上时，他们便开始了充满冒险的生活。炫目的未来在等待着这个家庭，但是他们首先必须忘记过去。”他们远离爱尔兰，是不是想让熟悉的城市忘记自己，忘记自己的丧子之痛。可是即使隔着千山万水，他们还是发现在新生活的背后依然会看见放大的曾经的记忆。
两个女儿的扮演者纯真可爱。音乐也非常棒。大女儿Christy在片中许了三个愿望，你看着它们实现的时候真是心酸，许第二个愿前真是让人揪心。片子不长，但温情感人。虽然生活艰难，但这个移民家庭还是在陌生城市坚韧地生活，守着亲情、希望、信念、奇迹与爱。
“爱尔兰移民约翰尼和莎拉带着他们的两个女儿，满怀希望地来到美国。当行走在充满着各种奇怪新鲜声音的纽约曼哈顿大街上时，他们便开始了充满冒险的生活。炫目的未来在等待着这个家庭，但是他们首先必须忘记过去。”他们远离爱尔兰，是不是想让熟悉的城市忘记自己，忘记自己的丧子之痛。可是即使隔着千山万水，他们还是发现在新生活的背后依然会看见放大的曾经的记忆。
两个女儿的扮演者纯真可爱。音乐也非常棒。大女儿Christy在片中许了三个愿望，你看着它们实现的时候真是心酸，许第二个愿前真是让人揪心。片子不长，但温情感人。虽然生活艰难，但这个移民家庭还是在陌生城市坚韧地生活，守着亲情、希望、信念、奇迹与爱。
2 ) In America (2002)
Time froze when Dad was throwing those balls. I put my heart and soul just want him to make it. I really thought he might got nothing and the family would lose everything. It was so depressed when I heard the 'Bang', which means that he didn't make it. We can't see the result but only listen to the sound. Great chapter. I gotta say.
Keep a hope. One can always work it out.
Keep a hope. One can always work it out.
3 ) 奇迹没有大小之分，坎坷多舛的生活又怎么会挑剔呢
重压之下才能煅炼出钢钻来，哪怕只是星星点点的一些——奇迹没有大小之分，坎坷多舛的生活又怎么会挑剔呢。
4 ) 祝福Frankie：）
电影的表现手法很隐忍，又很坚持，无声的挣扎，“脆弱”的大人和“坚强”的小孩，感人的诉说。我不知道Frankie Sheriden是不是导演的儿子，但可以感觉到他通过电影温柔的看着Frankie：）
5 ) 每个人心中都有一个Frankie
看这部片子是在复读那一年 生不如死
导演把发生在自己身上的真实经历浓缩成了这部饱含深情的影片 片中那个小女孩让我不止一次地想到了自己：伤的最深 也藏得最深 最终她教会了我沉浸在这种悲伤中毫无意义 我们必须向前走 让明天的阳光覆盖昨天心中的阴霾
这一年 我考上了北大
希望更多的人能看到这部电影 在影片结尾处 擦干脸上的泪 和自己心中的Frankie说再见
导演把发生在自己身上的真实经历浓缩成了这部饱含深情的影片 片中那个小女孩让我不止一次地想到了自己：伤的最深 也藏得最深 最终她教会了我沉浸在这种悲伤中毫无意义 我们必须向前走 让明天的阳光覆盖昨天心中的阴霾
这一年 我考上了北大
希望更多的人能看到这部电影 在影片结尾处 擦干脸上的泪 和自己心中的Frankie说再见
6 ) the Reflection on "In America"
I have to say, after I watched the heartwarming and terrific film In America, I was deeply moved by the loving family. For a long time, I can’t get out of their struggling story. Without any glaring special effects, just through a ten-year-old girl Christine’s narration, In America beats all the American blockbuster, in my eyes.
At the beginning of the film, the shakily photographed opening scenes gives me a deep impression, which deliberately symbolizes the uncertainty of the future. Through the camcorder, the oldest daughter Christine sees the huge and brightly colored Big Apple. No one knows what’s waiting for the family, even for us… Around by the wows of the two kids in the car, let’s forget all the pains we had, facing the brand-new world.
To escape from the sad memories of their little son Frankie’s death, the young couple with two adorable daughters move into the U.S illegally, with dreams of a better life for their family. They are so poor that have to live in the slum of Manhattan, which is populated by junkies, drag queens, and assorted low-lifes. The new house is just passable, but the family are excited, with their aborative decoration, the house is filled with warmth. This is the point that touched me a lot, no matter how bad the real condition is, they never lose the heart. So, to some extent, In America is actually an inspiring film.
However, the loss of Frankie haunts every single one of the family. There are three plots I remember clearly until now. The first one is that when the immigration officer asks how many children they have, the dad still answers 3, in fact his son has been dead. And the second: after the mum gives birth to a new baby, she cries to the dad, looking for her lost son. The last one: before Christine gives a blood transfusion to the baby in danger, she announces seriously to her father, “Don’t ‘little girl’ me, I've been carrying this family on my back for more than a year.” Through the plots above, we can see the guilt and blame plague the couple all the time, and even their young daughters bear the family’s pain and try to heal their parents. Christine has been talking to Frankie every night, recalling the happy time when the family are in together. This is a children’s world that is often ignored by the adults. The director Jim Sheridan notices it, that’s commendable.
Besides the love between the family, In America gives us a glimpse of the true friendship. On their first Halloween in the states, the two girls dare to knock on the door of “the screaming man”,a black named Motell, in their building and played “trick or treat” with him, softening the dying man’s heart. Gradually, they develop a
sincere relationship. The family pull him out of his depression at the end of his life, show him their love, and make him have the last happy time. Unexpectedly, the kids’ opening arms, the whole family’s kindness finally pay off—Motell pay their debts to hospital as the last gift. We ache for him when his end comes. God bless him.
Undoubtedly, In America is a tear jerker in terms of its theme, about memory, secrets, love, loss, wishes, dreams, families growing stronger, starting over, and America as the land of opportunity, etc. Also it is elevated by strong performances by everyone involved. Paddy Considine plays Johnny, excellently showing a father who is devoted, protective, compassionate, a little crazy and weighed down by grief. And, needless to say, Samantha Morton, the famous actress, gives a stunning performance driven by the despair in her eyes. She captured every emotion a grieving mother goes through, and her nervous breakdown in the hospital is so emotionally gripping. But the most surprise is the real-world sisters, the genuine article of child actors, Sarah and Emma Bolger. They seem completely transparent, not just simple ‘cute kids’, but leave the impression they are not acting at all. When Christine sings “Desperado” at a school talent show, I nearly weep. It haunts me all the week, tugging my heartstrings.
And finally I want to add something else in the part of the text structure and the art of narratology. There are Christine’s three wishes and the image of ET throughout the whole film. The three wishes Christine prays to Frankie form the main frame of the film. And the image of ET emerges in the film several times, at a street fair, the dad wins an ET doll for the kids; a black man who calls himself an ET befriends the sisters; and the ET passes the moon like Santa Claus at the end of the film. In my opinion, maybe the ET represents the miracles, if you believe in hope and love, your dream will come true someday.
All in all, In America gives me so many levels of human emotion, purifying my soul. If only one word to describe it, that is, bravo!
http://ceh-870925.blog.163.com/blog/static/340173672008102322820365/
At the beginning of the film, the shakily photographed opening scenes gives me a deep impression, which deliberately symbolizes the uncertainty of the future. Through the camcorder, the oldest daughter Christine sees the huge and brightly colored Big Apple. No one knows what’s waiting for the family, even for us… Around by the wows of the two kids in the car, let’s forget all the pains we had, facing the brand-new world.
To escape from the sad memories of their little son Frankie’s death, the young couple with two adorable daughters move into the U.S illegally, with dreams of a better life for their family. They are so poor that have to live in the slum of Manhattan, which is populated by junkies, drag queens, and assorted low-lifes. The new house is just passable, but the family are excited, with their aborative decoration, the house is filled with warmth. This is the point that touched me a lot, no matter how bad the real condition is, they never lose the heart. So, to some extent, In America is actually an inspiring film.
However, the loss of Frankie haunts every single one of the family. There are three plots I remember clearly until now. The first one is that when the immigration officer asks how many children they have, the dad still answers 3, in fact his son has been dead. And the second: after the mum gives birth to a new baby, she cries to the dad, looking for her lost son. The last one: before Christine gives a blood transfusion to the baby in danger, she announces seriously to her father, “Don’t ‘little girl’ me, I've been carrying this family on my back for more than a year.” Through the plots above, we can see the guilt and blame plague the couple all the time, and even their young daughters bear the family’s pain and try to heal their parents. Christine has been talking to Frankie every night, recalling the happy time when the family are in together. This is a children’s world that is often ignored by the adults. The director Jim Sheridan notices it, that’s commendable.
Besides the love between the family, In America gives us a glimpse of the true friendship. On their first Halloween in the states, the two girls dare to knock on the door of “the screaming man”,a black named Motell, in their building and played “trick or treat” with him, softening the dying man’s heart. Gradually, they develop a
sincere relationship. The family pull him out of his depression at the end of his life, show him their love, and make him have the last happy time. Unexpectedly, the kids’ opening arms, the whole family’s kindness finally pay off—Motell pay their debts to hospital as the last gift. We ache for him when his end comes. God bless him.
Undoubtedly, In America is a tear jerker in terms of its theme, about memory, secrets, love, loss, wishes, dreams, families growing stronger, starting over, and America as the land of opportunity, etc. Also it is elevated by strong performances by everyone involved. Paddy Considine plays Johnny, excellently showing a father who is devoted, protective, compassionate, a little crazy and weighed down by grief. And, needless to say, Samantha Morton, the famous actress, gives a stunning performance driven by the despair in her eyes. She captured every emotion a grieving mother goes through, and her nervous breakdown in the hospital is so emotionally gripping. But the most surprise is the real-world sisters, the genuine article of child actors, Sarah and Emma Bolger. They seem completely transparent, not just simple ‘cute kids’, but leave the impression they are not acting at all. When Christine sings “Desperado” at a school talent show, I nearly weep. It haunts me all the week, tugging my heartstrings.
And finally I want to add something else in the part of the text structure and the art of narratology. There are Christine’s three wishes and the image of ET throughout the whole film. The three wishes Christine prays to Frankie form the main frame of the film. And the image of ET emerges in the film several times, at a street fair, the dad wins an ET doll for the kids; a black man who calls himself an ET befriends the sisters; and the ET passes the moon like Santa Claus at the end of the film. In my opinion, maybe the ET represents the miracles, if you believe in hope and love, your dream will come true someday.
All in all, In America gives me so many levels of human emotion, purifying my soul. If only one word to describe it, that is, bravo!
http://ceh-870925.blog.163.com/blog/static/340173672008102322820365/
好多事我都理解不了，比如贫穷还依旧生子，生孩子也是美国梦中的一个么，费解
我还是最喜欢看这种温情的家庭电影，本片可以说是很合我的胃口了。而且本片的剧本是真的写的非常好，大女儿的自白台词本身和其切入的时间都非常的巧妙和精确，结局也拍得特别好，非常加分。要说本片有什么不足的我感觉是叙事方式有点太稀碎了，很多地方都处理得太急了。本片的群戏也非常好，两个小女孩的表演是最让我印象深刻的，大女儿扮演者的表现十分出彩，小儿女就像天使一样，这两个角色也是本片的一大亮点。萨曼莎莫顿的表现也非常不错，但是戏份真的有点太少了，感觉能入围奥斯卡女主还挺爆冷的。杰曼翰苏的表现也不错，但也是出彩的片段并不是特别多且戏份有点少
一部治愈丧子之痛的电影，虽然一对爱尔兰父母深陷痛苦，但是整部影片充满了阳光和希望，他们在纽约找到了新的生活。煽情而又紧抓人心而不令人生厌。
有些松散，大女儿真是又乖又懂事
非常温情的一部反映新移民在美国的奋斗与挣扎的好片。
7/10。真的好无聊。。。剧情人为化痕迹有点重，不过我感谢导演没有煽情过度，投球赌玩偶、躲迷藏、做爱交替黑人发疯的蒙太奇、坐在月亮下劝父亲遗忘失子之痛等几段拍得挺有感染力。生命因希望而美丽，只要活着就有了奇迹。喜欢开头星条旗朦胧的镜头语言，揭示了美国梦从触不可及到逐渐清晰这一主题。
温馨略带伤感
当爸爸投ET玩偶时 我的心紧张得缩成一团。当她们对着月亮挥着手说 bye Mateo, look after frankie 我的心又一次纠成一团。有时候生活很艰难 现状困苦 回忆折磨 仿佛已经无法进行下去。希望生活都像电影一样 历经种种后 会有好的结局。
太老套，公寓地址295 East 8th Street, New York
08.07.16.12点04分.留意到电影结尾dedicate to Frankie,原来是导演的死去的兄弟.生活远远比想象中艰辛.号外~Ewan McGregor and Kate Winslet were originally approach to play Johnny and Sarah at the film's early stages of production when it was entitled "East of Harlem"!!!!!
高一口語課上亞裔外教給我們看的片子，我是為了裡面的desprado開始聽eagles的麼？
有梦就有天堂，前路荆棘，坚强面对。影片节奏把握的恰到好处，千篇一律的美国梦主题在导演的镜头下散发出新的光辉，主角表演的都很出色。看完本片很希望自己以后也能有两个女儿~
美国梦 也许当我去了美国之后会知道那里并没有我所想象的那么美 可是这会使我变的更坚强 勇敢
谢里丹还真能玩煽情。。前面部分不错 然后就开始流俗了点 尾声倒也还可以 在同类题材中还是不敌《幸福来敲门》
美国梦啊~~ 也不容易，但坚持下来了，日子会好过的。btw，我挺稀饭演父亲的演员，却忘记是从哪一部短萌上他的了。
生活艰辛，感谢有家人不离不弃的陪伴，感谢有好心人马提奥的帮助，两个小女孩好可爱。
主题是亲情，美国梦只是个背景而已。小女儿太可爱了！大女儿长大果然走演技派路线。Samantha Morton当时才二十出头吧，就能把这个母亲演得细致入微。导演真的有个得脑瘤死的弟弟Frankie。
内容有点松散，主要还是表现生活困难但还有希望吧
因爱之名……
本片获第76届奥斯卡最佳女主角、男配角和原创剧本提名。又是一部美国梦影片，所不同的是，为什么要离开加拿大来到美国？影片没有做什么交代。没有对比，真难以让人想像出这就是你要的天堂吗？最让人不可接受的就是那个拿上全家房租去赌一个超级难看的做工粗糙的E.T.玩偶。这不是脑袋有病嘛？！