老枪1975

   记得上次看这部电影，还是我年纪很小的时候．
  昨天当我重看这部电影，那把如恶魔般的喷火枪，Philippe Noiret茫然，痛苦的眼神，Romy Schneider不着痕迹，不着修饰，却让人感觉惊天动地的美……，这一切的一切，突又唤起我幼时观看时那种莫名感动和哀伤的情愫．
  还记得当年在电影院看的这部电影，电影结束时，我还坐在座位上久久不愿离开，因为结尾时男主角一家三口正骑着单车向我们飞驰过来．
  可能电影中发生过的悲剧只是男主角的想像？可能他们他们还是幸福的生活在一起？可能这只是夹杂着噩梦的一部童话？当时还是懵懂少年的我，这样想……
        

引自 Wikipedia 的介绍：

In early 1944, 2nd SS Panzer Division Das Reich was stationed in the southern French town of Montauban north of Toulouse to gain new equipment and freshly trained troops. After the D-Day invasion in Normandy, Das Reich was ordered to make its way across the country to stop the Allied advance. In the days leading up to the Allied D-Day landings at Normandy, the local French Resistance had increased its activities in order to disrupt local German forces and to hinder communications. Along their way, the Germans came under attack and sabotage by the fighters from the Maquis du Limousin and, in turn, attacked and killed many French civilians.

Early on the morning of 10 June 1944, Sturmbannführer Adolf Diekmann, commanding the I battalion of the 4th Waffen-SS ("Der Führer") Panzer-Grenadier Regiment, informed Sturmbannführer Otto Weidinger at regimental headquarters that he had been approached by two French civilians who claimed that a German officer was being held by the Resistance in Oradour-sur-Vayres, a nearby town. The captured German was alleged to be Sturmbannführer Helmut Kämpfe, commander of the 2nd SS Panzer Reconnaissance Battalion, who may have been captured by the Maquis the day before.

On 10 June, Diekmann's battalion sealed off the town of Oradour-sur-Glane, having confused it with nearby Oradour-sur-Vayres (some disagreement on this point, see esp. Max Hastings, Das Reich, who states reasons for believing no such confusion), and ordered all the townspeople – and anyone who happened to be in or nearby the town – to assemble in the village square, ostensibly to have their identity papers examined. In addition to the residents of the village, the SS also apprehended six people who did not live there but had the misfortune of riding their bikes through town when the Germans arrived.

All the women and children were then taken to and locked in the church while the village itself was looted. Meanwhile, the men were led to six barns and sheds where machine-gun nests were already in place. According to the account of a survivor, the soldiers began shooting at them, aiming for their legs so that they would die more slowly. Once the victims were no longer able to move, the soldiers covered their bodies with fuel and set the barns on fire. Only six men escaped; one of the six men was later seen walking down a road heading to the cemetery and was later shot dead. 190 men died.

The soldiers then proceeded to the church and put an incendiary device in place there. After it was ignited, women and children tried to flee through the doors and windows of the church but were met with machine-gun fire. Two hundred forty-seven women and two hundred and five children died in the carnage. Only two women and one child survived, one was 47-year-old local housewife Marguerite Rouffanche. They had managed to slide out of a small window at the back of the church and had dropped 10 feet, at which point the Germans heard the child cry and began to shoot at them, Marguerite Rouffanche's companions died and she was wounded, she crawled and hid in the some pea bushes behind the church overnight until she was rescued. Another small group of about twenty villagers had fled Oradour-sur-Glane as soon as the soldiers had appeared. That night, the remainder of the village was razed.

A few days later, survivors were allowed to bury the dead. It was found that 642 inhabitants of Oradour-sur-Glane had been brutally murdered in a matter of hours.

Sturmbannführer Adolf Diekmann claimed that it was a just retaliation due to partisan activity in nearby Tulle and the kidnapping of Helmut Kämpfe.


原文链接：http://en.wikipedia.org/wiki/Oradour-sur-Glane

《老枪》于连其光辉不亚于《兵临城下》瓦西里
一个医生的家国梦 为了妻儿拿起枪
《肖申克》为了自由 《老枪》为了愤怒与反抗
上世纪中国经典的译制片就是不一样，从配音到台词都精准牛逼到不行。
毕克和邱岳峰真的是配音界的大师啊。可惜后来人鲜有能达到的了。


靠一个人去消灭鬼子的小分队，这就是一个男人的保家卫国，一切都为了死去的妻儿！！

这是一部动作不出彩，情感不细腻，台词无回味的电影，是的，如果单看电影应有的标签来分解这部电影，确实鲜有噱头可言，但是，事实是，这个大个子甚至略臃肿的法国男人给予这部电影另一种美感。
上演复仇的电影不少，从《第一滴血》到《杀死比尔》，个个都在不遗余力的拼血量，暴力美学确实给人血脉喷张的快感，但如果仅仅以复仇来看待这部电影，实在可惜。
蒙太奇闪回的手法成就了这部电影，但导演高明在于，不仅仅将现实的残酷和往日的幸福交织对比，双向逆行的时间轴赋予了影片另外的含义。当战争逐渐接近尾声，当从开始复仇到结束复仇，于连看到的是与妻子相守、相恋和相知，是从分离的结束到幸福的开始，也许他们的幸福并不是刚刚好甚至还有些许的瑕疵，但是热情和包容成就了这一份真实，而正是这一份真实给予了影片最有温度的触感，最后，他告诉她，他在乡下买了一幢城堡，但不太好，频于修缮，现实中，一切已在烈火中化为灰烬，那灰暗、残酷、悲伤的往事已终结，在那泛红的眼睛中看到的是我、你和她，我们三个人幸福的在乡间悠然自得地骑着自行车，生活本应是如此自然的样子，从一开始就是。