丽人行

剧情片英国1967

主演:奥黛丽·赫本,阿尔伯特·芬尼,伊莲诺·布罗,杰奎琳·比塞特,朱迪·康韦尔

导演:斯坦利·多南

 剧照

丽人行 剧照 NO.1丽人行 剧照 NO.2丽人行 剧照 NO.3丽人行 剧照 NO.4丽人行 剧照 NO.5丽人行 剧照 NO.6丽人行 剧照 NO.13丽人行 剧照 NO.14丽人行 剧照 NO.15丽人行 剧照 NO.16丽人行 剧照 NO.17丽人行 剧照 NO.18丽人行 剧照 NO.19丽人行 剧照 NO.20
更新时间:2024-04-11 16:43

详细剧情

  十二年前,一位美若惊鸿的唱诗班少女乔安娜·华莱士(奥黛丽·赫本 Audrey Hepburn饰),一个努力上进的建筑师马克·华莱士(阿尔伯特·芬尼 Albert Finney饰),以及一段浪漫的完美邂逅。十二年后,他们却不得不开始面对两人间存在的严重婚姻危机。从一见钟情到热恋结婚,从当年的信誓旦旦到如今的同床异梦,十二年来的婚姻生活恍如隔世。为了挽救他们之间濒临破裂的夫妻关系以及名存实亡的爱情,乔安娜与马克开始了环游法国的寻爱之旅。  由斯坦利·多南执导,奥黛丽·赫本、阿尔伯特·芬尼携手主演的爱情喜剧电影《丽人行》,以大量意识流优美的倒叙镜头,勾勒出了两人十二年的情感历程。本片荣获1968年第40届奥斯卡金像奖最佳原创剧本提名、音乐喜剧类最佳女主角提名以及1968年第25届金球奖最佳电影配乐提名。

 长篇影评

 1 ) 婚姻之路

《丽人行》或许是最好的婚姻题材的影片,不论在内容还是形式上。

电影将数次旅行场景剪辑在一起,从相识、热恋到结婚,细致地展现了不同时期主角们对爱情和婚姻的追求和思索。不同于一般电影,这种形式上的创新能够使观众充分地思考爱情和婚姻的本质。普通婚姻题材的影片往往流于表面,只会展示结婚、争吵和分手的场面,观众在日常生活中对这些事情司空见惯,电影重新照搬只会让他们感到乏味厌倦,又怎能使他们反思生活?

 2 ) 无关乎花瓶,对了胃口,就是部好片

如果想看赫本的时尚影响力或美貌,这部片子显然不合适。
如果想看爱情的浪漫、恋爱的激情、欧洲旅行的美景,这部片子显然也不适合。
这只是一个普通的故事,男女主角都是普通的人,没有出奇的漂亮或英俊;爱情来得也很正常,没有出奇的炽热或纯情;两人的性格甚至也没有太吸引人的地方,男主角少些男子气概,女主角少些温柔。然而就是这样的故事,却正是我们周遭看到的最多的故事。
电影用出色的剪裁和叙事手法,将普通的故事表现得深刻又自然。看完电影的感觉,就像某个下午,忽然偶遇了一个有点思想的普通长者,絮絮叨叨告诉你了些人生故事,不精彩也不刺激,却忽然让你有些小小顿悟,觉得还不赖。但是听完这些普通人生故事,我们还是憧憬着公主梦,还是想着最幸福的婚姻,还是告诉自己:人生还是要很精彩才对!

 3 ) that just life

电影记录了一对恋人三段时期的出行:恋人时、新婚时、中年时。

电影剪辑很棒 三段出行交错进行,互为交代,类似事件在不同时期的不同体验感予以我感触与思考:

电影中唯一不变的是赫本的美颜,一颦一蹙尽显风致,尽管此时的赫本已经四十有余,却总能在她与世界交流的明眸中看到未被污染的那一丝童真,也懂得了美人在骨不在皮。

影片情节均在人意料之中,六十年代的电影中现实婚姻问题与如今社会的茫茫众生所虑所忧也几乎如出一辙----随性的 逆境中仍能懵懂着的灿烂,伴随着升职,女儿的长大,偶尔的一夜情,夫妻好像渐渐长大了,变得优雅,懂得了克制,拥有了事业,他们不在因情而接吻,做爱:吵架时也更加理智,不再随处怒吼被磨平了所有棱角。

婚姻生活的现实我暂时体验不到,但相比他们情窦初开之时所展现出的青春无惧,二十出头的我似乎早已缺少了这一份风采,种种现实的牵制让我畏缩,不大会盲目的一头扎入爱河,随性的做着不考虑后果的年轻事儿。

影片中的婚姻摇摇欲坠,彼此在一次次相互妥协与回归中努力维持着,虽然这么看着总让人觉得憋屈,但直到影片结束也并未给这段婚姻一个出路,指一个方向。That just life,生活即一段又一段走不完的旅程,绝大多数平庸的我们都处在灰色地带,日复一日靠着一点点自己制造的期待过着不十分开心亦不十分难过的每一天,偶尔编织浪漫,偶尔为了鸡毛蒜皮的小事发了疯的争吵,与其说是不稳定,倒不如说是为一潭死水般的婚后生活增添了几分真实感。

影片是否也是为了给我们这些尚未接触婚姻,每天歌颂爱情与自由的娃娃们泼一瓢冷水呢?毕竟在我们看来,找一个彼此相爱的人走到婚姻的殿堂已经艰难的难以想象了吧,殊不知这仅是开头而并非终结。

 4 ) 台词摘录

213
00:20:40,239 --> 00:20:43,208
We won't have to waste a minute
stopping for lunch.

214
00:20:43,542 --> 00:20:46,340
The trouble with women is
they try to label you...

215
00:20:46,411 --> 00:20:48,106
put you in a pigeonhole.

216
00:20:49,414 --> 00:20:51,382
What they don't realize is...

217
00:20:52,851 --> 00:20:56,014
the only thing that fits in a pigeonhole
is a pigeon.

218
00:20:57,055 --> 00:20:59,080
Marriage is all they ever think about.

219
00:20:59,191 --> 00:21:01,989
l don't intend to get married
for at least 40 years.

220
00:21:08,233 --> 00:21:12,067
lt's not that l have anything against sex.
lt's contracts l don't go for.

221
00:21:12,204 --> 00:21:15,173
Promise of long service and good conduct.
Are you a virgin?

222
00:21:15,540 --> 00:21:17,770
Thought you were. Could always tell.

223
00:21:18,043 --> 00:21:19,340
Congratulations.

224
00:21:19,411 --> 00:21:22,278
l was two years
at the University of Chicago.

225
00:21:22,381 --> 00:21:24,372
Studying virgin detection?

226
00:21:25,517 --> 00:21:28,418
Only at night school.
Architecture during the day.

227
00:21:28,754 --> 00:21:31,279
l always thought American women
would be different.

228
00:21:31,390 --> 00:21:33,881
l thought they'd broken
the inhibitions barrier...

229
00:21:33,959 --> 00:21:35,790
and it was all one long sex feast.

230
00:21:35,894 --> 00:21:38,089
-No?
-But no.

231
00:21:38,263 --> 00:21:40,959
The nicely brought-up American girl
plays cool and modern...

232
00:21:41,066 --> 00:21:44,035
but what she wants
is what her grandmother wanted:

233
00:21:45,337 --> 00:21:48,431
your head stuffed and mounted
on the living room wall.

234
00:21:50,742 --> 00:21:54,906
And if you don't want it that way,
you can take your loving self elsewhere...

235
00:21:55,080 --> 00:21:57,014
speaking quite generally, of course.

236
00:21:57,115 --> 00:21:59,583
Of course. Who was she?

237
00:22:01,853 --> 00:22:03,252
What do you mean?

238
00:22:04,389 --> 00:22:07,222
Her name was Cathy Seligman,
if you must know.

239
00:22:07,559 --> 00:22:10,858
She was selfish, grasping, philistine...

240
00:22:11,096 --> 00:22:15,089
materialistic, stubborn, opinionated.
l was crazy about her.

241
00:22:15,467 --> 00:22:17,458
Lucky for you, you'll never meet her.

242
00:22:17,569 --> 00:22:20,629
She's now
Mrs. Howard Maxwell Manchester.

243
00:22:22,240 --> 00:22:24,572
l always knew you two had to meet.

244
00:22:24,776 --> 00:22:28,644
''There's only one drawback,'' Howard said.
''We'll have to go to Greece.''
===================
327
00:27:38,723 --> 00:27:43,422
lt's very reassuring at times
to retain a certain flexibility of attitude.

328
00:27:44,729 --> 00:27:48,756
Howard has a tremendously mature
quality. That's what l love about him.

329
00:27:49,034 --> 00:27:51,025
He has quiet assurance.

330
00:27:52,837 --> 00:27:56,773
-Don't you think he has quiet assurance?
-Very quiet assurance.

331
00:27:56,908 --> 00:27:58,808
He's the husband type.

332
00:27:59,411 --> 00:28:02,278
You were always the lover type.
l guess you still are.

333
00:28:02,380 --> 00:28:05,213
l've been married to Joanna
for nearly two years.

334
00:28:05,283 --> 00:28:09,083
But your relationship is basically volatile.
Anyone can see that.
==========
想Jules et Jim ,筋疲力尽~~~ 又是臆想的 分手,一人在车上,一人下车,
============
347
00:29:05,009 --> 00:29:07,944
Very funny, isn't it?
But l happen to have a schedule.

348
00:29:08,012 --> 00:29:12,005
The trouble is, there's two of us.
That's the basis of the whole trouble.

349
00:29:12,917 --> 00:29:17,786
lf l ever have a car, l swear l'll never pass
a single hitchhiker as long as l live.

350
00:29:27,031 --> 00:29:29,090
Must we dice with death?

351
00:29:33,838 --> 00:29:37,638
Since when has this car
got only two speeds, 1 10 and stop?

352
00:29:37,709 --> 00:29:41,338
-l'll tell you what, you drive.
-l'll tell you what, l'll walk.

353
00:29:41,412 --> 00:29:42,879
Okay, walk!

354
00:29:44,149 --> 00:29:46,379
Come on, Jo, don't be silly.

355
00:29:49,020 --> 00:29:52,217
You'd be far better off on your own,
wouldn't you?

356
00:29:52,323 --> 00:29:54,188
Oh, not again, Joanna!

357
00:29:54,259 --> 00:29:57,251
You want to get on, l know.
Maurice is waiting.

358
00:29:57,362 --> 00:29:58,659
Let him wait.

359
00:29:58,730 --> 00:30:01,597
He's got you on a line.
All he has to do is reel you in.

360
00:30:01,699 --> 00:30:05,100
Shut up about Maurice. lf it weren't
for him, you know what we'd be?

361
00:30:05,236 --> 00:30:06,328
-Happy!
-Broke.

362
00:30:06,437 --> 00:30:07,529
Broke and happy.

363
00:30:07,639 --> 00:30:10,107
You wanna go back to living in a cellar?
You hated it.

364
00:30:10,208 --> 00:30:12,267
-l loved it.
-You hated it.

365
00:30:13,077 --> 00:30:14,476
l hated it.

366
00:30:15,046 --> 00:30:17,606
l hate being at other people's
beck and call.

367
00:30:17,715 --> 00:30:21,048
As soon as someone becks or calls,
l resent it, that's all.

368
00:30:21,119 --> 00:30:23,314
Okay, you run the show. You handle it.

369
00:30:23,421 --> 00:30:26,982
You worry about the house, the flat,
Nanny, and Mrs. Rathbone.

370
00:30:27,091 --> 00:30:29,116
l don't want any of them.

371
00:30:29,227 --> 00:30:32,822
Do l? Am l the one that wants
enamel sports watches?

372
00:30:34,299 --> 00:30:37,097
Take your watch. l don't want it.
l don't want anything.

373
00:30:37,168 --> 00:30:41,002
Why is it, when you give a woman what
she wants, she gets so bloody minded?

374
00:30:41,139 --> 00:30:44,802
You don't give me what l want.
You give me what you want to give me.

375
00:30:46,010 --> 00:30:47,807
Joanna, your watch.

376
00:30:49,180 --> 00:30:50,977
Joanna, l love you.

377
00:31:08,199 --> 00:31:10,531
Come on, Maurice is waiting.

378
00:31:11,469 --> 00:31:12,663
Bitch.

379
00:31:14,239 --> 00:31:17,675
Listen, sweetheart.
We're not going to make it together. See?

380
00:31:17,809 --> 00:31:20,573
We don't get the breaks.
So this is the kiss off.

381
00:31:20,678 --> 00:31:23,146
You take the high road,
l'll take the low road.

382
00:31:23,214 --> 00:31:26,012
We'll see who gets in where
before who. Okay?

383
00:31:26,751 --> 00:31:30,710
lf we meet again, great.
lf not, happy holidays.

384
00:31:31,222 --> 00:31:33,315
No hard feelings, but....

385
00:31:33,391 --> 00:31:35,416
-You have a schedule.
-Right.

386
00:32:28,246 --> 00:32:31,238
What happened to your slick friend
in the Alfa Romeo?

387
00:32:31,316 --> 00:32:34,444
l told him l was in love with you,
so he put me down.

388
00:32:45,663 --> 00:32:48,564
-l warn you....
-Don't.
==========
389
00:33:07,452 --> 00:33:09,818
What would you say to a cup of coffee?
两人对着桌子 托着下巴 对看着对方
390
00:34:00,038 --> 00:34:03,804
What kind of people would sit like that
without a word to say to each other?
391
00:34:03,875 --> 00:34:05,433
Married people?
392
00:34:18,856 --> 00:34:21,484
This is definitely against my principles.

393
00:34:22,660 --> 00:34:26,152
Good. l wouldn't like to think
it happened all the time.

394
00:34:26,531 --> 00:34:30,831
l had absolutely no intention
of sleeping in hotels.

395
00:34:34,105 --> 00:34:35,538
You didn't?

396
00:34:36,407 --> 00:34:39,740
Hell, no. What do you think l brought
a sleeping sack for?

397
00:34:40,778 --> 00:34:43,110
l hadn't seriously thought about it.

398
00:34:53,024 --> 00:34:55,720
-Who are you?
-Some girl.
======Some girl.========hotel伏在男人身上的Some girl.
399
00:35:08,406 --> 00:35:09,839
Sleep well?

400
00:35:10,007 --> 00:35:13,170
l think that room was
over the plate-smashing annex.

401
00:35:13,744 --> 00:35:16,212
My days for roughing it are over.

402
00:35:16,414 --> 00:35:20,282
Next time, get Maurice to reserve us
a room if you can't remember yourself...

403
00:35:20,384 --> 00:35:24,878
preferably with a carpet, and
something else in the hot tap besides....
1
00:32:34,600 --> 00:32:38,366
什么样的人会那样对坐着
却一语不发?

2
00:32:38,437 --> 00:32:39,995
已婚的人?

1
00:32:52,418 --> 00:32:55,046
这有悖于我的原则。

2
00:32:56,222 --> 00:32:59,714
很好。我不会想让它随时都会发生在你身上。

3
00:33:00,093 --> 00:33:04,393
我一点都没想过会在
旅馆里和你睡在一起。

4
00:33:07,667 --> 00:33:09,100
你没想过?

5
00:33:09,969 --> 00:33:13,302
当然不。否则你以为我买了睡袋是用来干吗的?

6
00:33:14,340 --> 00:33:16,672
我并没有认真地去想过。

1
00:33:25,586 --> 00:33:28,282
你是谁?
某个女孩。

1
00:33:39,968 --> 00:33:41,401
睡得好吗?

2
00:33:41,569 --> 00:33:44,732
我觉得那个房间是建
在碎盘机上的。

3
00:33:45,306 --> 00:33:47,774
我将就着过日子的时光已经结束了。

4
00:33:47,976 --> 00:33:51,844
下一回,让莫里斯替我们预定
一个房间,如果你自己记不起来的话……

5
00:33:51,946 --> 00:33:56,440
最好是有地毯的房间,还有热水龙头里
出来的不会再是……
===========
498
00:44:50,387 --> 00:44:53,879
l don't want to come out after lunch
to a red-hot car again.

499
00:44:55,693 --> 00:44:58,423
What does ''Reserve a la direction'' mean?

500
00:44:58,762 --> 00:45:00,627
Reserved for the management.

501
00:45:00,731 --> 00:45:02,528
Hell, we're the customers.

502
00:45:06,904 --> 00:45:09,372
Why do you think Red China is a bitch?

1
00:43:03,255 --> 00:43:05,985
预先保留位是什么意思?

2
00:43:06,324 --> 00:43:08,189
是为了管理而预留的

3
00:43:08,293 --> 00:43:10,090
哦,我们是顾客。

4
00:43:14,466 --> 00:43:16,934
你为什么觉得红色中国很坏?

5
00:43:19,437 --> 00:43:21,803
我们不可以停在这里,霍尔。

6
00:43:22,173 --> 00:43:25,574
我的意思是红色中国是一个很复杂的问题。
==============
549
00:50:07,537 --> 00:50:11,200
You're the only woman l know who's
prepared to share a bed with a sardine.

550
00:50:11,308 --> 00:50:14,539
l don't care what kind of a sardine you are.
l like you.

551
00:50:16,613 --> 00:50:19,639
-Will you hate me when l'm bowfronted?
-Undoubtedly.

552
00:50:20,550 --> 00:50:22,814
-And will you be unfaithful to me?
-Blatantly.

553
00:50:24,054 --> 00:50:26,579
-You promised l could.
-You promised you wouldn't.

554
00:50:26,656 --> 00:50:28,214
When we got married.

555
00:50:30,627 --> 00:50:32,788
Do you mind undoing what you did?

556
00:50:41,538 --> 00:50:42,562
Thanks.

557
00:50:43,273 --> 00:50:44,501
You're welcome.

558
00:50:45,809 --> 00:50:47,834
Aren't you coming to bed at all?

559
00:50:48,845 --> 00:50:49,834
Tired?

560
00:50:53,683 --> 00:50:54,707
l won't be long.

561
00:50:54,818 --> 00:50:57,844
Shall l call your secretary
and make an appointment?

562
00:50:59,389 --> 00:51:01,914
When did you start being as snide as this?

563
00:51:04,661 --> 00:51:06,993
Right after we got married, didn't l?

564
00:51:07,898 --> 00:51:09,763
-Did we get married?
-Yeah.

565
00:51:11,101 --> 00:51:12,261
Remember?

566
00:51:12,803 --> 00:51:14,828
When sex stopped being fun.

567
00:51:15,505 --> 00:51:18,440
Yeah. lt started being official.

568
00:51:20,710 --> 00:51:22,041
l remember.

569
00:51:35,692 --> 00:51:39,128
l think that lovely little lake
breeds lovely little mosquitoes.

570
00:51:39,196 --> 00:51:42,063
-l'll close the window.
-We'll suffocate.
1
00:48:02,819 --> 00:48:06,482
你是唯一一个我认识的会和一条沙丁鱼
共享一张床的女人。

2
00:48:06,590 --> 00:48:09,821
我不在意你是哪种沙丁鱼。
我喜欢你。

3
00:48:11,895 --> 00:48:14,921
当我背都驼了的时候你会讨厌我吗?
当然不会。

4
00:48:15,832 --> 00:48:18,096
你会对我不忠吗?
明显的。

1
00:48:18,336 --> 00:48:20,861
你说我允许我的。
你说过你不会的。

2
00:48:20,938 --> 00:48:22,496
在我们刚结婚的时候。

3
00:48:24,909 --> 00:48:27,070
你能放下你在做的事情一会吗?

1
00:48:34,820 --> 00:48:35,844
谢谢。

2
00:48:36,555 --> 00:48:37,783
不用谢。

3
00:48:39,091 --> 00:48:41,116
你不睡了吗?

4
00:48:42,127 --> 00:48:43,116
你很累了?

5
00:48:46,965 --> 00:48:47,989
我一会儿就来。

6
00:48:48,100 --> 00:48:51,126
我能打电话给你的秘书来预约吗?

7
00:48:52,671 --> 00:48:55,196
你什么时候变得如此会讥讽了?

1
00:48:57,400 --> 00:48:59,732
就在我们结婚了以后,不是吗?

2
00:49:00,637 --> 00:49:02,502
我们结婚了吗?
是的。

3
00:49:03,840 --> 00:49:05,000
记得吗?

4
00:49:05,542 --> 00:49:07,567
当性不再变得有趣。

5
00:49:08,244 --> 00:49:11,179
是啊,开始变成例行公事了。

6
00:49:13,449 --> 00:49:14,780
我记得。

1
00:49:27,431 --> 00:49:30,867
我想那美丽的小湖是很多可爱的
小蚊子的家园。

 5 ) Temporal Design

According to Casper with Edwards, there are five time periods in Two for the Road. I would love to categorize these periods to three phases for every ordinary couple: in love wondering whether to be married or not, in marriage wondering whether to have a child or not, being parents wondering whether to divorce or not. Instead of displaying the changes of relationship in a chronological order, the film uses a lot of cross-cutting in terms of same space but a different time. Flashing back and forth to what happened before and after in the same journey for ten years, audience gain a more thorough sensation that it is the memory, along with other factors, in a relationship that keeps people together.

The director, Stanley Donen, puts the scenes together depending on the content and themes of the shots of the different period. Many of the interesting cuts won’t connect due to the spatial and temporal discontinuity, as Professor Casper lectured. In order to let the audience be aware of the change of time, characters have different clothes, hairstyle and cart types. For instance, when Joanna asked Mark “What kind of people would sit like that without a word to say to each other?”, Mark replied married people, then the next scene is that married Mark and Joanna not talking to each other while dining. Another example is when they don’t have a car, they imagined if they own a car in future they will definitely offer people on the road a drive, then the next scene is that they drive fastly across the same bridge, ignoring a couple on the road. All these cuttings add the humor of the movie.

 6 ) 永远找不到护照在哪里的男人;有点小tricky的女人..

永远找不到护照在哪里的男人;有点小tricky的女人..呵呵。

那时候她迷恋惊叹赫本吸烟的优雅模样,看完了《丽人行》后抽了生平第一根烟..唉,也从此打消了对烟的好奇念头..因为镜子里的自己有东施效颦之嫌...某人笑了..

Joanna在楼梯口看着对面餐桌一对沉默的男女问Mark的一段话很经典:

J:“what kind of people just sit like that not talk to each other?”
M:“married people”
J:“exactly”
“it's so sad”
M:“no darling, there is no sad, when something is finished, one will say-it's finished- there comes a time when we must broke and the old things are not amusing”

发人深思..

一段重温爱情的旅程,一部轻松的轻喜剧。

 短评

太过真实。“什么人会对坐着不发一言?已婚的人。”从相遇相识,相知相恋,到相守相倦,相对无言,过去种种是浪漫,现在一切只残酷。

6分钟前
  • 艾晨
  • 力荐

两人世界,此一时,彼一时。太透彻,不用多言语;太聪明,亦不免耽于春日晚风。漫漫一途,有我,有你。吉光片羽,剪辑未满。台词精华,可切割赏析。

10分钟前
  • mecca
  • 还行

没想到这居然是一部公路片。本片最大的特色是娴熟地运用了交叉剪辑,把男女主人公从巧遇到相恋到十年后的婚姻危机整个历程勾勒得清清楚楚。看完全片你会发现,他俩真是太适合了,简直就是天造地设的一对啊。中年的赫本演技真好。本片的第二特色是运用女性视角叙述故事,所以观众看到的结果就是,这场爱情出现危机,完全是男人的问题。他自私、幼稚、忙于工作不顾妻儿,并且确实如那个刻板的教授所言有极强的控制欲。结局的和好,稍微有点莫名其妙。台词特别优秀,很多对话宛如诗歌,优美文雅,针锋相对,既推动情节又刻画人物,真是厉害。7分。

14分钟前
  • 楚先生
  • 还行

真正的公路电影,每一段戏都发生在路上。从相恋、与前女友一家出行、婚后出游到各自出轨再到复合,公路上写满了一对中产阶级夫妇的激情、倦怠和伤痕。剪辑出彩,每次转场都颇费心思,也是最值得看的错觉创意段落。赫本的各种摹仿秀精灵古怪,可惜38岁已显老态。

17分钟前
  • 风间隼
  • 推荐

4 outta 4. Great Movie. 人物魅力、电影技术、剧本写作、摄影打光、配乐协调全都满分。我不知道是否应该把这部电影归类到chick flick里,因为它实际上更像一部雅克德米和Agnes合作风格下的那类型新浪潮气质描述婚姻和生活本质的电影。辛亏导演选择了倒叙和乱序的手法拍这部电影,如果按照正序来拍的话该多么无聊啊。我无法用一句话来总结我对这部电影的感受,我只能说爱情可能就是这么简单又复杂,但我感谢导演把我心目中爱情最应该的模样展现出来。

20分钟前
  • Cor Cordium
  • 力荐

本片充分体现了赫本平庸的演技

21分钟前
  • NOMORECHILDISH
  • 还行

简直就是60-67时装史。Mod风尚其实并不适合赫本,Albert Finney表演风格还是那么硬。

26分钟前
  • 陈裸
  • 还行

婚姻就是:一个女人让一个男人脱掉他的睡衣。。。因为她要把它送去洗衣房。。。

27分钟前
  • 逍遥兽
  • 还行

多南《狂人皮埃罗》附体,两位主角则乘坐飞车经历了多重的虫洞穿越,我们无需弄明白这些旅行具体发生的时间顺序,但电影无疑在这多重的穿越中为观众展现了一场更“永恒”的旅行:婚姻中无尽的循环,快乐、忧愁与折磨穿插反复着。随着主角在最后的大全景中跨境进入了我们看不到的新旅程,或许电影早已经重新开始。

28分钟前
  • TWY
  • 推荐

由斯坦利·多南执导,奥黛丽·赫本、阿尔伯特·芬尼携手主演的爱情喜剧电影《丽人行》,以大量意识流优美的倒叙镜头,勾勒出了两人十二年的情感历程。本片荣获1968年第40届奥斯卡金像奖最佳原创剧本提名、音乐喜剧类最佳女主角提名以及1968年第25届金球奖最佳电影配乐提名

29分钟前
  • (๑⁼̴̀д⁼̴́๑)
  • 力荐

这是我看过的赫本最棒的电影。在爱情里挣扎的两个人的十二年犹如几段旅行,一段张扬快乐、一段诉说悲伤、一段控诉无奈、一段陷入痛苦。车换了一辆又一辆、路过了一站又一站,还是那个人却不一定仍是那份情。最后剩下的是一长段回忆和一汪深情。“我爱你!”“那就好!”其实你在身边就好。

33分钟前
  • 猫语猫寻
  • 力荐

正是在路上看的,高呼三声好看!热恋、新婚、十年后三条主时间线,穿插得轻快自然。婚姻的永恒Paradox也被说尽。

35分钟前
  • 遙遠
  • 力荐

婚姻是爱情的坟墓,激情消退如何重新找回遗失的爱,多南擅长的爱情喜剧,别开生面地将几次旅行交叉剪辑,公路电影的创意十足,特别是频频出现的同意象转场,时间变换,空间里更留下无限的唏嘘感慨,台词也有不少金句,两位主要也挺有趣,带给观众愉悦的享受。

39分钟前
  • 幽灵不会哭
  • 力荐

恐婚片,像《夜》,一样是爱情死亡后徒留婚姻的困境,但与那不同的是这部里还有大量的甜蜜温馨的片段,还有那些争吵、摩擦、婚外情……看完倒没称赞它的叙事或者剪辑手法,因为片段性的插叙的叙事手法在这里显得平实,像一个老派导演所做的新潮尝试,而是最后那段,将爱情里的节点通过自驾行一段段路程拼凑起来,概括了这一段感情如何由生到死,尽皆在此,不由想到《千年女优》,不由想到《爱乐之城》。ps,AH在这里面显老了,时髦还是很时髦的。

40分钟前
  • 易思棠
  • 推荐

感慨颇多,这种公路片的拍摄手法和立意都很好,而一对男女从相遇热恋到婚姻危机的人生轨迹也反映出了大部分人的人生。当我们年轻的时候,钱包空空也满怀激情地出门穷游,而等有一天我们变成了富裕的中年人,希望还能像今天这样对生活充满热爱和深爱对方。

43分钟前
  • 水絮
  • 推荐

8.0/10。①一对中产阶级夫妻十几年走来充满相恋、出轨与复合的婚姻故事。公路片。②精美的高水平摄影美术。③作为传统故事片,打乱时间线的叙事结构(存在相似性转场)虽然增强了叙事的戏剧性张力,但最终叙事依然较淡,而且这种叙事结构有些增大了对剧情理解难度,扣1分。

45分钟前
  • 持人的摄影机
  • 还行

新浪潮版多南啊,不断跳切剪辑一对夫妻不同时空的状态,信息量非常大。那两个为任何愚蠢的理由疯狂大笑的年轻男女去哪儿了?他们曾经无时无刻不感觉到饿,感觉到欲望,就像车上的小女孩一样任性,直到他们自己成了父亲和母亲,突然间,随性而至不再是件快乐的事,太多责任,太多隔阂,太少荷尔蒙,不再在大路上搭便车,不再睡便宜的小旅馆,也没了胃口,没了做爱和爱人的欲望。题材是老的,但是总有新的故事和桥段,比如晒伤后全身疼痛也要拥抱的一幕就很美。

46分钟前
  • 赛博大象
  • 力荐

为了几段回忆揉在一起的形式,为了赫本的好看,给三星吧。恋爱故事中有感人的地方,可总体感觉不疼不痒ni chaud ni froid…美国的爱情电影真心跟法国意大利的不一样,挺不习惯的。看到赫本闹脾气从海边起跑跑出百米开外时听到男主情急之下高喊你别跑啊你回来我就娶你她瞬间就转头回到男主身边两人就此结婚了的那段还是被culture shock到了:这已经是60年代末了啊,美国电影为啥还在讲这种童话故事…可能他们的出发点到底是相信婚姻的,然后经历了很多事,才渐渐开始总结开始感叹开始超越这个制度,但在我们这的电影里这个出发点很早就不复存在了。导演故意给赫本安排了几件颜色特别亮搭配特别丑的衣服,一出场就把观众逗笑了;他们和另外一家三口游Chantilly的那段真的就是法意常见的傻X美国游客典型…🤣

49分钟前
  • 昵称
  • 还行

初看婚前婚后转场对比还真是有意思,想着后面会不会有什么惊喜,结果整个看下来也就是这个样子,还不好笑~

54分钟前
  • 阿尔法
  • 还行

里面的转场太频繁、太自以为是以至于有点过了,反而影响了观众对于剧情和两人感情对比的理解。可惜了。。。

58分钟前
  • Tony
  • 还行

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