剧照
更新时间：2023-07-24 11:39
详细剧情
白斯家的四个女儿都已长得婷婷玉立，白先生及白太太日夜惦记着为女儿们物色金龟婿他们聪敏漂亮的二女儿娜丽达忠于爱情，坚决不受父母支配而要找到心目中的“Mr.Right”，她的新思维令到父母非常头痛。此时娜丽达遇上来自洛杉矶的酒店业巨子达西先生，两人郎才女貌，看似天作之合，然而却非一见钟情。达西在娜丽达心目中只是个自大势利、满身铜臭的生意人，同样地，达西亦看不起娜丽达，认为她只是个空有美丽躯壳、见识浅薄的印度乡下妹，两人每次见面总是针锋相对。然而冲突的同时，却令双方加深了解，不知不觉间擦出爱火花。
长篇影评
1 ) 印度歌舞和印度美女
我是在中央6看到的这部片子，因为当时没有看完全，就又从网上下了，看的很过瘾呢！以前就很喜欢印度的歌舞片，觉得有活力、热情，享受于他们的欢快和奔放。
本片的内容并没有什么值得夸赞的地方，它是《傲慢与偏见（pride&prejudice)》的印度歌舞版。但是，不得不称赞女主角的美丽，我被她深深的吸引（还好我不是男生）。片中有几段女主角的歌舞，让我都想跟着节奏舞动起来了。而且，本片是个大团圆的结局，可以在心情不错的情况下看看。
本片的内容并没有什么值得夸赞的地方，它是《傲慢与偏见（pride&prejudice)》的印度歌舞版。但是，不得不称赞女主角的美丽，我被她深深的吸引（还好我不是男生）。片中有几段女主角的歌舞，让我都想跟着节奏舞动起来了。而且，本片是个大团圆的结局，可以在心情不错的情况下看看。
2 ) 印度人值得自豪也! ---向往印度游!
和印度应该说是一种缘分吧,有种向往了,一定要去印度看看.舞蹈,音乐,海滩,小镇,金矿...古老的民俗民风,还有美女!
从恋恋不忘的"阿育王子" 对了,还有王子.呵呵! 到"我爱贝克汉姆" 到"爱斗气爱上你" 几乎每一部片的推出都会烧红一拨人.男女主角们便成世人的宠儿. 但是在这部片里,我怎么就只记住了那个在美国发财了的表哥呢?又丑又庸俗的家伙. 那位幽雅的王子让我没有看懂,因为他不勇敢吧.
还是说说舞蹈,我觉得该片的编舞抛弃了以前人们对印度舞到的模式化记忆,以为就只有那么几个经典动作,.... 很多现代热舞的动作,还有音乐也一样,有摇滚,融合了很多曲调... 海边的那场舞蹈真的是让人荤牵梦饶...
从恋恋不忘的"阿育王子" 对了,还有王子.呵呵! 到"我爱贝克汉姆" 到"爱斗气爱上你" 几乎每一部片的推出都会烧红一拨人.男女主角们便成世人的宠儿. 但是在这部片里,我怎么就只记住了那个在美国发财了的表哥呢?又丑又庸俗的家伙. 那位幽雅的王子让我没有看懂,因为他不勇敢吧.
还是说说舞蹈,我觉得该片的编舞抛弃了以前人们对印度舞到的模式化记忆,以为就只有那么几个经典动作,.... 很多现代热舞的动作,还有音乐也一样,有摇滚,融合了很多曲调... 海边的那场舞蹈真的是让人荤牵梦饶...
3 ) 宝莱坞版的傲慢与偏见
总体上来说挺好玩的影片。故事情节完全紧套原版的傲慢与偏见，但却丝毫没有让人感到套的生硬。改编得挺自然，更搞笑，更活泼，而且比原班的傲慢与偏见好懂。
很兴奋得看到他们没有改变我最喜欢的傲慢与偏见中的情节，就是那句“Your mother will never see you again if you do not marry Mr. Collins (Mr. Kohli), and I will never see you again if you do."
典型的宝莱坞风格，色彩丰富活泼，浪漫可爱，加上热闹的歌舞，而且主角们甚至也没KISS。
AISHWARYA RAI真的很漂亮，以前只见过她的照片，这次是第一次看她的电影。
文中一些对于印度现状的一些言论让我觉得印度的很多情况其实和中国挺像的。虽然我说这话可能很多中国人不会同意。中国人很多一直觉得自己要比印度阿三们高贵很多的。
要说缺点的话，其中有些歌舞段落实在太长了点，不停的只是在重复着同样的旋律和歌词，让人看得有些无聊。
很兴奋得看到他们没有改变我最喜欢的傲慢与偏见中的情节，就是那句“Your mother will never see you again if you do not marry Mr. Collins (Mr. Kohli), and I will never see you again if you do."
典型的宝莱坞风格，色彩丰富活泼，浪漫可爱，加上热闹的歌舞，而且主角们甚至也没KISS。
AISHWARYA RAI真的很漂亮，以前只见过她的照片，这次是第一次看她的电影。
文中一些对于印度现状的一些言论让我觉得印度的很多情况其实和中国挺像的。虽然我说这话可能很多中国人不会同意。中国人很多一直觉得自己要比印度阿三们高贵很多的。
要说缺点的话，其中有些歌舞段落实在太长了点，不停的只是在重复着同样的旋律和歌词，让人看得有些无聊。
4 ) A rebellion against fromality
This 2004 musical comedy from Bollywood gives Jane Austin’s novel a dramatic new and exotic touch. When you see the title, you know the reference, and you expect the informality and fun, which are very well presented in Bollywood style. All the twisted love stories in Austin’s original work become a single, hilarious and very much Bollywood coup de foudre.
The setting of the story is not much so different from 19th century Britain – a rather interesting or perhaps concerning fact, with parents yearning for someone socially advantaged, and daughters pursuing a Victorian free love. Yet the “Bollywoodness” of the film immediately removes all the formality, tediousness, and monotone of the Victorians.
Knowing the film is a musical, one should perhaps be less concentrated by the capricious and appropriate appearance of dances and music, but their presence is dramatizing the film so much that perhaps they become the only thing that can last in my unfortunate memory. The colors and dances all make the film a gigantic flow of pictures. Even though one may be unsure about what exactly is going on in the flow, one can easily catch up with the plot and leave the brain relaxed and fully sucking the juices from visual nourishment.
The Western actors give a mediocre display in the film. Martin Henderson, who plays William Darcy, lacks the ability to perform the initial aloofness, and the potential to love in him that can be found in the Darcy from Austin’s novel. Since the film, like Austin’s novel, tells the story from the heroine’s POV, it is important for Henderson to show Darcy’s world via his performance, which is way too static to show the character’s mind. I know his state of mind only because I read the novel.
The Indian actors and actresses, however, give a rather vivid performance. Aishwarya Rai Bachchan, playing Lalita, a character corresponding to Elizabeth in the original novel, gives her character the ambivalent state of mind, a remorse found in love stories, an unconscious preference, etc. Look retrospectively, one can find that she became more successful and sophisticated in her later performance, Jodhaa Akbar, for example, in which she played Jodhaa Bai, Mughal Empress. However, it does not change the fact that her performance in Bride and Prejudice is already outstanding. She has the skin color that drove the 18th century British sailors to mutiny, and blue eyes mysterious and exotic. Understandably she is found in the list of 25 hottest actresses on IMDB.
The film is so not serious and so not tedious. It is a successful Indian rebellion against British formality, with weaponry of dances and music.
The setting of the story is not much so different from 19th century Britain – a rather interesting or perhaps concerning fact, with parents yearning for someone socially advantaged, and daughters pursuing a Victorian free love. Yet the “Bollywoodness” of the film immediately removes all the formality, tediousness, and monotone of the Victorians.
Knowing the film is a musical, one should perhaps be less concentrated by the capricious and appropriate appearance of dances and music, but their presence is dramatizing the film so much that perhaps they become the only thing that can last in my unfortunate memory. The colors and dances all make the film a gigantic flow of pictures. Even though one may be unsure about what exactly is going on in the flow, one can easily catch up with the plot and leave the brain relaxed and fully sucking the juices from visual nourishment.
The Western actors give a mediocre display in the film. Martin Henderson, who plays William Darcy, lacks the ability to perform the initial aloofness, and the potential to love in him that can be found in the Darcy from Austin’s novel. Since the film, like Austin’s novel, tells the story from the heroine’s POV, it is important for Henderson to show Darcy’s world via his performance, which is way too static to show the character’s mind. I know his state of mind only because I read the novel.
The Indian actors and actresses, however, give a rather vivid performance. Aishwarya Rai Bachchan, playing Lalita, a character corresponding to Elizabeth in the original novel, gives her character the ambivalent state of mind, a remorse found in love stories, an unconscious preference, etc. Look retrospectively, one can find that she became more successful and sophisticated in her later performance, Jodhaa Akbar, for example, in which she played Jodhaa Bai, Mughal Empress. However, it does not change the fact that her performance in Bride and Prejudice is already outstanding. She has the skin color that drove the 18th century British sailors to mutiny, and blue eyes mysterious and exotic. Understandably she is found in the list of 25 hottest actresses on IMDB.
The film is so not serious and so not tedious. It is a successful Indian rebellion against British formality, with weaponry of dances and music.
5 ) 印度版Bride & Prejudice
只能说可能05版的Darcy Elizabeth 已经牢牢抓住我的心了。
所以我看这个印度版的，即便女主角竟然是叫lolita 。。。OMG，让我几经感慨那个了火极一时的【洛丽塔】，无奈.......
反正我是看了各种没感觉。特别是Darcy和lolita 在一起，彼此心动，我看出没啥感觉啊。
还有一个美国人，在英国做生意，要娶个印度妹子，怎样，是要跨越全球么。
每次里头姐妹们跳舞或者在街上跳舞我就想笑，不知道为什么，可能美剧看多了，感觉美剧里那种才是最随性的，很自然。
而且【Bride & Prejudice】在我印象中也算是一部半宫廷的片子，王室气息算是，蛮浓重的，书上描述的感觉也是这样的啊。
印度这版拍的就一度让我联想到【歌舞青春】跟【high school】，看过的人懂的，后者与前者的差别。
怎么能把这么经典的作品拍成青春偶像片啊。我看的真的要疯了。
不过女主真的美，真心美、
无力了，小女子知识浅薄，略提小议.......
所以我看这个印度版的，即便女主角竟然是叫lolita 。。。OMG，让我几经感慨那个了火极一时的【洛丽塔】，无奈.......
反正我是看了各种没感觉。特别是Darcy和lolita 在一起，彼此心动，我看出没啥感觉啊。
还有一个美国人，在英国做生意，要娶个印度妹子，怎样，是要跨越全球么。
每次里头姐妹们跳舞或者在街上跳舞我就想笑，不知道为什么，可能美剧看多了，感觉美剧里那种才是最随性的，很自然。
而且【Bride & Prejudice】在我印象中也算是一部半宫廷的片子，王室气息算是，蛮浓重的，书上描述的感觉也是这样的啊。
印度这版拍的就一度让我联想到【歌舞青春】跟【high school】，看过的人懂的，后者与前者的差别。
怎么能把这么经典的作品拍成青春偶像片啊。我看的真的要疯了。
不过女主真的美，真心美、
无力了，小女子知识浅薄，略提小议.......
6 ) 很一般
因为喜欢阿什瓦亚，所以满怀期待，结果却满是失望。
美式风格的印度片或是印度风格的美国片，-_!!!!!
除了开场婚礼上的那段歌舞，似乎很难留下什么。男女主角在一起超级没感觉.....
可惜 可惜！！
美式风格的印度片或是印度风格的美国片，-_!!!!!
除了开场婚礼上的那段歌舞，似乎很难留下什么。男女主角在一起超级没感觉.....
可惜 可惜！！
印度现代版傲慢与偏见 唱歌跳舞好多
印度电影真是一针见血啊
MS7010 viewing list
我只能说各种版本的达西先生都闪闪惹人爱。
如果有中国的导演也遵照原著拍一部中国版的傲慢与偏见，不知道该用哪一个时代背景比较好
拿了《傲慢与偏见》的壳儿。。。唱歌跳舞看美女
真的是印度版的傲慢与偏见，要不是这个原因我可能从没看过印度电影。
印度版的《傲慢与偏见》 ！不过怎么都比不过英国的
印度drunby剧
仿佛一看到宝莱坞电影，我就起鸡皮疙瘩；印度女人真没出息，对英国男人的殖民依赖还是如此深厚
蛮热闹的
印度的结婚真的是大家就在那跳舞吗。。。印度有不是歌舞片吗
组合不一定出新意，还有可能不伦不类
剧情老套，女主角很美
在印度重温真是别有一番风味，的确，印度是个需要你亲自了解的地方
d2
若非有印度歌舞撑着...就只有一星了.我喜欢的世界第一美人也胖了...TOT
印度舞蛮漂亮的~印度文化艺术...始终围绕在主角左右都是帅锅有钱佬！！！！斗气冤家爱上的故事...
Indian movie cool!!
印度的歌舞片，Sayid的舞姿还真不赖啊。